¶ … Post positivism
Defining Post positivism:
definitional exercise in identity politics, in expanding cultural and semiotic discourse, and reinterpreting the continuing the literary effort of the 20th and 21st century to deconstruct human life and society
Postmodernism, the literary buzzword of the past century, is often considered to be a 'liberal' form of hermeneutics, in the sense that rather than attempting to define what makes the canon great, it attempts to expand the notion of what is a literary canon, what is great literature in general. However, many liberal political activists have accused the deconstructionit movement and the postmodern aesthetic for its tendency towards reductionism and relativism. In other words, by stressing that everything, including identity, is a construction, there is little ground for feminist and Marxist critics to stand on, politically, speaking, to make a material critique of oppressive structures within a society. If all definitions are contextually based, how are political alliances based upon gender, social, class, economic, and ethnic interests possible?
One possible answer to this conundrum is the philosophical rubric of post-positivism. Unlike postmodernism, post-positivism is not a discursive definition and modality that has had, until recently, a great deal of popularity in contemporary discourse of feminist identity and identity politics. Post-positivist thought is often assumed to draw on a specific and scientific conception of truth, a "form of foundationalism," remaining "within a specifically positivist conception of objectivity and knowledge," and assuming "that the only kind of objective knowledge we can have is one that "we can see," feel, and touch in empiricist germs. (Moya & Hames-Garcia 84)
However, Paula Moya & Michael R. Hames-Garcia and the various authors chronicled in their anthology on postmodern constructions of identity, would define what they call post-positivism not as a mere reaffirmation of scientific discourse, nor empiricist assertions of the real but as a creative interpretation of identity politics for the 21st century. The authors state that they seek "objective knowledge" formally confined to the sciences as "social practice," in other words they seek what is real in political terms and also what is constructed in social terms simultaneously, marrying the best of materialist Marxist and scientific thought with post modern's fluidity of gender and identity. (28)
Ideally post-positivism, the editors of Learning from Experience: Minority Identities, Multicultural Struggles would say, as opposed to mere post modernism, affirms the notion that oppression is a real and material experience, while still allowing for some of postmodernism's destabilization of common sense of what it means to be of a particular gender or race. Post-positivism thus provides an ideal bridge for individuals of color and women to both affirm that their social marginality and the difficulties this cause are 'really' experienced, and not simply a constructions of ideology, in the modern workplace. But it also allows them to deny the 'common sense' norms that stereotypes about women and minorities are true, and must be accepted as valid.
As an aesthetic as well, post-positivist thought denies some of the playfulness of identity inherent to postmodern cultural artistic constructions of the truth. At one point in their introduction to Alcoff, they echo this author's critique of postmodernism, noting that she has identified postmodernism's problematic "epistemological denial" in its "unwillingness (with few exceptions) to acknowledge, take responsibility for, or indeed, to interrogate its own concern" with the implications of the political and identity inequities it chronicles. (80)
Post-positivism, in contrast, is not only epistemological, but is material and economic in its focus as well. Aesthetically in its focus, is cloaked in the language of science and seriousness, and has an epistemological weight that is satisfying to those who would highlight issues such as racial and sexual oppression. It is "context sensitive and empirically based," as well as interested in literary and artistic implications like postmodernism. (28) Moreover, post-positivism as an ideology does not take delight, but also despairs in the fabric...
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